Review · MEMPHIS BUS TOURS
Memphis: Big Mojo Sun Studio + Music History 3-Hour Bus Tour
Memphis music comes alive on this three-hour ride, where your guide may be singing Elvis, B.B. King, Otis Redding, or Howlin’ Wolf one minute and explaining a downtown landmark the next. I like the live music on the bus and the way the tour connects Beale Street, Stax, Sun Studio, and Memphis neighborhoods into one story. I also like that guides such as Davey Ray Bennett, Cecil, Andrew, and Emily bring real performance skill to the job.
The main drawback is simple: you spend most of the tour seated on the bus, and some sights pass quickly. The vehicle has no wheelchair lift, though a collapsible wheelchair may be accommodated if you have some mobility and arrange it ahead of time.
Key points at a glance

- Professional musicians lead the ride: Your guide sings, plays guitar, tells stories, and adds comedy rather than reading a dry script.
- Sun Studio is the centerpiece: The guided visit puts you inside the recording space linked with Elvis, Johnny Cash, B.B. King, and other major names.
- Memphis history comes with the music: You see the Lorraine Motel, Cotton Row, Beale Street, Stax Studio, and early homes connected with Elvis and B.B. King.
- Most sightseeing happens from the bus: The route is efficient, but photo opportunities can be brief.
- The $65 price covers both parts: You get the live bus tour and guided Sun Studio visit, making it useful for a first look at Memphis.
- The tone is lively and informal: Expect sing-alongs, jokes, local tips, and a guide who adjusts the music to the group.
Why the music bus works so well in Memphis

Memphis is not a city where music belongs only in a museum. Blues, rock ’n’ roll, and Southern soul grew out of places, people, clubs, churches, studios, and streets that still shape the city today.
That is why I like this tour’s format. A standard sightseeing bus can show you a building and name a famous person. Here, a musician can explain the setting, sing a related song, and make the connection easier to remember.
The guide is the heart of the experience. Past guides have included Davey Ray Bennett, Cecil, Andrew, Emily, Taylor, and other Beale Street performers. Their styles vary, but the job is the same: keep the bus moving through Memphis while playing songs from the city’s musical past.
You can expect guitar playing, singing, jokes, and short stories about artists and places. The group is encouraged to sing along, so this is not a quiet audio tour. If you prefer a formal lecture, the energy may feel a little loose. If you enjoy live music and do not mind joining in, the format gives the ride much more personality.
I especially like the mix of familiar songs and local context. Guides have performed music associated with Elvis, Howlin’ Wolf, B.B. King, Johnny Cash, and Otis Redding. You are not simply hearing a greatest-hits playlist. You are hearing the music used to explain how Memphis became such an important recording center.
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Starting at Alfred’s on Beale Street

The tour begins at Alfred’s On Beale, at 197 Beale Street. That puts you right in the middle of downtown Memphis and close to the city’s best-known music corridor.
Beale Street is an important starting point because it gives the tour an immediate sense of place. The street is tied to the blues, nightlife, clubs, and the public side of Memphis music. You are not beginning in an anonymous parking lot or hotel lobby. You are starting where the city’s musical identity is most visible.
There is no hotel pickup or drop-off, so plan to reach Alfred’s on your own. The return is also at Alfred’s, which makes it easy to continue exploring downtown after the tour. You could use the ride as an introduction, then return to Beale Street later with a better sense of what you are seeing.
Allow time to find the meeting point and check in. The experience is conducted in English, and the departure time varies, so you need to check the available schedule when booking.
Downtown Memphis from the bus

The first major portion lasts about an hour and a half, including sightseeing and the drive through downtown Memphis. The guide explains the places outside while the musician keeps the ride moving with songs and stories.
You may pass Beale Street, Stax Studio, the Lorraine Motel, Cotton Row, the Peabody Hotel, Overton Park, and early homes linked with Elvis and B.B. King. The route gives you a broad look at the city rather than focusing on one neighborhood.
The Lorraine Motel is especially important. It is the place where Martin Luther King Jr. was killed, and the tour connects that site to the wider story of Memphis. The stop may be viewed from the bus rather than explored at length, so think of this part as an orientation, not a full museum visit.
Cotton Row points to Memphis’s commercial past, while the Peabody Hotel represents one of the city’s most recognizable landmarks. Overton Park adds another side of Memphis beyond downtown music venues. The value here is the range: the tour shows you that Memphis music developed within a larger city shaped by commerce, neighborhoods, civil rights, and public life.
The bus may slow down or stop briefly so you can take in certain sights. Still, you should keep your camera ready. One person who enjoyed the tour found that some places went by too quickly for good photographs. That is the tradeoff for covering so much ground in three hours.
I would not book this as your only chance to see every landmark up close. Instead, use it to decide which places deserve a second visit. If you want a longer look at the Lorraine Motel or Stax, plan separate time for those sites.
The ride itself: part concert, part city lesson
The bus ride is not just transportation between stops. It is the main performance space.
Your guide may sing several songs in a row, then pause to explain the artist, the neighborhood, or the recording story behind them. The best guides balance those parts well. Andrew, Cecil, Davey Ray Bennett, and other musicians have been praised for combining strong voices with local stories and humor.
That combination matters because the tour can appeal to people with different interests. A committed music fan gets names, places, and recording connections. Someone who knows only a few Memphis songs still gets an entertaining introduction. Families and mixed-age groups can enjoy the performance without needing a detailed background in blues or soul.
The musical style can change quickly. The guide may move from early rock ’n’ roll to blues to soul, adapting to the city’s broad musical past. You are likely to hear songs connected with several artists rather than one narrow genre.
You should also expect audience participation. Singing along is part of the design. No one needs to perform alone, but a group that joins in helps create the lively atmosphere the tour is aiming for. If you want a silent ride with uninterrupted views, this is not the right choice.
The bus driver matters, too. Drivers such as Princess, Alberta, Michael, and others have been praised for safe driving, clean vehicles, and slowing down near sights. The driver and musician work as a pair: one handles the road while the other handles the story and songs.
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Sun Studio: the strongest historical stop
After the downtown sightseeing, the bus ride to Sun Studio takes about 15 minutes. You then spend about an hour on a guided tour inside the studio before returning to the bus for another 15-minute ride back to Alfred’s.
Sun Studio gives the tour its strongest physical connection to Memphis music. You are standing in the place where major artists launched careers and where important recordings were made. The appeal is not just the famous name. It is the feeling of seeing a working music space tied to Elvis, Johnny Cash, B.B. King, and other legends.
The studio visit is led by a separate Sun Studio guide. Past guides have included Drew and Josh Hurley, and the quality can vary by individual. Some visitors have found the presentation lively and informative, while one particularly critical experience found the Sun guide less engaging than the musician on the bus.
That is worth knowing, but it does not erase the value of the stop. The room itself carries much of the experience. You get to stand in the same recording environment associated with songs and artists that changed popular music. Several people have described the visit as the highlight of the day, especially the chance to stand in the footsteps of famous performers.
The one-hour format gives you more than a quick photo stop, but it is still not an in-depth musicology seminar. If you want every technical detail about recording equipment, label history, and studio operations, you may want a separate visit or additional reading. For most first-time visitors, the guided tour gives enough context to make the place meaningful.
The Sun Studio portion is also where you leave the bus and spend real time inside a site. That break is welcome after much of the sightseeing has taken place through the windows.
What the $65 price includes
At $65 per person, the cost covers the bus tour and the guided Sun Studio visit. There is no hotel pickup or drop-off, and the tour returns to its starting point at Alfred’s.
I see the price as fair for a visitor who wants both entertainment and orientation. You are paying for three hours, a live musician, a driver, a city route, and admission to a major music site with its own guide. Booking those pieces separately could take more planning, and you would lose the connection between the city landmarks and the songs.
The value is strongest if you are new to Memphis, have limited time, or want an overview before choosing your next stops. It is also useful for a group with mixed interests. One person can enjoy the history, another can enjoy the live guitar, and another can use the route to get a feel for the city.
The value is weaker if you already know Memphis well or want long stops for photographs. The tour covers many sights, but it does not turn each one into a full visit. You also spend most of the time on the bus, which can feel restrictive on a rainy day or if you need frequent movement.
The tour has a 4.8 rating from 325 ratings, and 87 percent of ratings give the transport a perfect score. Those figures support the idea that the overall package is dependable, but they do not guarantee that every guide or Sun Studio presentation will feel identical.
Timing, comfort, and access
The total duration is three hours. The schedule is divided into roughly 90 minutes of city sightseeing, 15 minutes to reach Sun Studio, one hour inside, and 15 minutes to return.
You should prepare to remain seated for most or all of the bus portion. There are no long walking sections built into the experience, which may suit anyone who wants to cover a lot of Memphis without a strenuous route. On the other hand, the bus format limits close-up views and can make photography difficult.
The bus does not have a wheelchair lift. A collapsible wheelchair may be accommodated if you have some mobility, but you need to contact the provider in advance with your questions. Do not assume that a standard wheelchair can be loaded without prior arrangements.
Alcohol and drugs are not allowed. The tour is conducted in English, so you should be comfortable following spoken storytelling and live commentary in English.
Free cancellation is available up to 24 hours before the tour for a full refund, and you can reserve now and pay later. Those policies give you some flexibility, especially if your Memphis schedule is still changing.
Who should book this Memphis tour?

I would recommend it most strongly to first-time Memphis visitors, music fans, couples, families, and anyone who wants a lively introduction rather than a quiet lecture.
It suits you if you want to:
- Hear live blues, rock ’n’ roll, and soul while seeing the city connected to those styles
- Visit Sun Studio without arranging a separate city transfer
- Learn about Memphis through songs, jokes, and local stories
- See a wide range of landmarks in a short time
- Get restaurant suggestions and local tips from a guide who works in the city’s music scene
It may not suit you if you need extensive walking time, want every landmark visited up close, or prefer a strictly structured historical presentation. Rain can also affect the experience since much of it takes place from the bus and some sights are viewed outside.
Should you book the Big Mojo Sun Studio tour?
Book it if you want Memphis history delivered with a guitar in hand. The live musician is the reason this tour feels different from a standard sightseeing ride, and the Sun Studio visit gives the performance a strong final chapter.
I would treat it as a first-day activity. You will see enough of downtown to choose where to return, and you will leave with a clearer sense of how Beale Street, Stax, Sun Studio, the Lorraine Motel, and the city’s artists fit together.
Just set the right expectations: this is a moving music show with sightseeing, not a hop-on, hop-off bus or a series of long landmark visits. At $65, it offers good value when you want entertainment, transportation, and Sun Studio in one three-hour package.
FAQ
Where does the Big Mojo tour begin?
The tour begins at Alfred’s On Beale, located at 197 Beale Street, Memphis, Tennessee 38103.
How long does the experience last?
The full experience lasts three hours.
What does the $65 price include?
The price includes the bus tour and the guided tour of Sun Studio.
Is hotel pickup available?
No. Hotel pickup and drop-off are not included. You need to reach Alfred’s on Beale independently.
Is the tour conducted in English?
Yes. The live guide and tour information are provided in English.
Which Memphis sights can I see from the bus?
The route includes Beale Street, Stax Studio, the Lorraine Motel, Cotton Row, the Peabody Hotel, Overton Park, and early homes connected with Elvis and B.B. King.
How much time is spent at Sun Studio?
The guided Sun Studio visit lasts about one hour. The bus ride to Sun Studio takes about 15 minutes, followed by another 15-minute ride back to Alfred’s.
Can I use a wheelchair on the bus?
The bus does not have a wheelchair lift. A collapsible wheelchair may be accommodated if you have some mobility, but you should contact the activity provider in advance.
Can I cancel for a refund?
Yes. You can cancel up to 24 hours before the experience for a full refund. You can also reserve your place and pay later.
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